Tag: 爱上海 同城对对碰

first_imgFortuna >> Defense wins championships. For the Del Norte Warriors volleyball team, defense has them one step closer to an undefeated league season and Big 5 title. As does their offense, and passing, and communication, and just about everything else.The Warriors (18-5 overall, 6-0 Big 5) recorded 39 digs to go along with 68 kills and 39 assists as they upended the Fortuna Huskies, 25-19, 25-18 and 25-16, at Fortuna High School on Thursday evening.With the win, the Warriors are on the cusp of …last_img read more

first_img(CLICK HERE, if you are unable to view this video on your mobile device.)There’s a sense of normalcy surrounding the Warriors again, and, believe it or nit, it’s all thanks to Draymond Green.Golden State’s injured All-Star forward is finally set to return to the court and his return just may coincide with a patented winning streak.Green, who has missed 13 of the team’s last 15 games with a sprained right toe, has been cleared to play Monday night when the Warriors host the Minnesota …last_img read more

first_imgHumanists hope to have a new international holiday by 2009: Darwin Day.  (Feb. 12 was Darwin’s birthday as well as Abe Lincoln’s, so it’s already set aside as a holiday in America, but promoters want this to be an international event.)  According to Robert Evans’ story in Reuters, the British Humanist Association believes such a commemoration “would send out a signal that science matters in an era when pseudo-science and fear of science seem to be gaining ground.”  For their part, the humanists have their own fear: creationism.  “It is very, very scary,” said a leader of the Darwin Day movement in America.  “Creationism is spreading further and further.”    As evidence for anti-Darwinist sentiments, they point to British Prime Minister’s recent tolerance for a creationist college, advances in creationist and intelligent design movements in the United States under Bush’s administration, and polls that show 45% of Americans believe a personal God created all life within 10,000 years.  They are also alarmed at the rise of Islamic and Hindu opposition to Darwinism.    The invasion is getting too close for comfort.  Evans claims that “In a church a stone’s throw from the Darwin Research Station on Ecuador’s Galapagos Islands — where the biologist gathered much of his evidence for evolution — fiery evangelical sermons on hellfire awaiting unbelievers are on the daily menu.”  In seeming counterattack, Peter Backus at Space.Com has honored the alternative deity (see 02/12/2004 commentary) with the ultimate honor, naming everything that is, ever was, and ever shall be, “Darwin’s Universe.”Darwin Day–what a great idea.  It would be a perfect occasion to teach people important concepts.  Let’s start now thinking up activities that could become favorite family traditions.  Darwinians could wear Selfish Jeans, light Cambrian explosions, have asteroid fights and go extinct.  Here is a proposed list of Top 10 Darwin Day Activities:Have battles with slime and play King of the Hill.Blindfold monkeys and watch them type Shakespeare.Have a Darwin beard contest with lady judges to test sexual selection.Decorate lizards with feathers and drop them from trees.Vote on community Darwin Awards.Sponsor a Just-So Storytelling Contest.Hold a Planet of the Apes and Survivor movie festival.Play “glue the peppered moth on the tree.”Sing Evolution Songs around a campfire fueled with creationist books.Test survival of the fittest: debate a creationist.Send in your suggestions: write here.  One reader has sent in this prize-winner: “a scavenger hunt.  Item #1: a true, transitional fossil.  WARNING!  Photos of the participants of this activity may end up on the back of a milk carton.”(Visited 10 times, 1 visits today)FacebookTwitterPinterestSave分享0last_img read more

first_img1 February 2013 The Biodiversity Management Plan for South Africa’s black rhinoceros aims to ensure the survival and sustainable growth of the country’s rhino population in the face of a changing environment and the ongoing threat posed by poaching. Gazetted last week by Water and Environmental Affairs Minister Edna Molewa, the plan envisages the continued existence of the global black rhino population through the continuation of viable populations of the two indigenous black rhino subspecies in natural habitats throughout South Africa. The short-term, 10-year goal is to achieve an average South African meta-population growth rate for the two subspecies of at least 5% per annum, so as to achieve meta-population sizes for the two subspecies of 3 060. The plan states that effective law enforcement, improved relations between neighbouring countries, effective criminal investigations and prosecutions, and the securing and monitoring of rhino horn stockpiles, remain key to minimising losses from poaching. Human resources should also be developed so that there are sufficient skills available to protect and manage black rhinos, while sustainable political and social support for rhino conservation efforts should be encouraged. Strict hunting guidelines are included in the plan to ensure proper control over the removal of animals from breeding populations, and to combat illegal hunting. The plan “will contribute significantly to the management and conservation of black rhino, presently under threat from poachers,” the Department of Environmental Affairs said in a statement on Tuesday. The Conservation Plan for the Black Rhino, which forms the basis of the Biodiversity Management Plan for the black rhino, was jointly developed by South African members of the Southern African Development Community (SADC) Rhino Management Group. The South African Rhino Management Group, which functions under the auspices of the International Union for the Conservation of Nature’s Rhino Specialist Group, is to manage the implementation of the plan, including the legally required approval of management plans submitted by rhino conservation bodies for adoption by the government. Source: SANews.gov.zalast_img read more

first_imgFrom Oscar-winning editors and production designers to producers and screenwriters — here are some of the biggest takeaways from our recent interviews.Over the past year, here at PremiumBeat we’ve been lucky enough to speak with some industry-leading creatives and filmmakers. At one point, these rock stars were right where you are now, whether that’s just starting out or creating your next feature. Whatever your filmmaking goals may be, these masters of the craft have given us some truly excellent advice.Here are some of our favorite quotes from our recent interviews.The Masterful Editing of First ManImage via Universal.Probably one of the best working editors alive, Tom Cross broke down how he tackled the enormous task of cutting First Man. Our talk was long but full of gems for anybody thinking about editing a film.That clarity really made us edit the sequence differently than other scenes in the movie. Instead of it being cutty, messy, and rough, the richness of the image invited us to slow the pace down, allowing us to linger on shots so that you could really look at these tiny little details like the richness of the soil and the stitches in the gloves. This shift invites you to stay and hold onto shots longer. It also allowed us to double down on this subjective style that we had set up in other scenes, so it let us linger on these POV shots of the hands going to the ladder, so you really feel like you are in his spacesuit climbing down the ladder, and its you the audience taking the first step on the moon. So the IMAX led us to a different take and rhythm but Damien really wanted the moon sequence to feel like another world.— Tom Cross, ACE on Editing First Man and Working with IMAX FootageBlack Panther’s Oscar-Winning Production DesignMarvel Studios’ BLACK PANTHER Filmmakers BTS on set of Black Panther (Ph: Matt Kennedy ©Marvel Studios 2018).Hannah Beachler is now an Oscar winner. Her work on Black Panther was one of the biggest reasons the film was so darn captivating. Wakanda looked and felt like a place rooted simultaneously in history and fantasy. When asked about the decision and freedom to incorporate vibrant colors in a Marvel film — due in part to the success of Guardians and Thor: Ragnarok — Beachler had the following to say.So the textiles are colorful, the buildings are colorful, everything is colorful. So I knew that was gonna be a part of it. Then looking at the [Jack] Kirby stuff, there was a lot of color in this Thor work, and even in the Black Panther comics at the time.We were gonna put all of that out there, you know, bring in the rich architecture. A lot of the architecture has designs, shapes, and colors that all have meaning. Senegalese buildings that have big, bold pinks, purples, and greens — and others with stripes that come down the columns.We went crazy with it, and there was a color story. There is definitely a color story, and as I watched it in the premiere, I was like, ‘Yeah you can definitely feel that color story with the characters.’— Exclusive: Designing Wakanda and the Amazing Sets of Black PantherTatiana S RiegelImage via NEON.The Oscar-nominated editor behind I, Tonya dove into why and how an editor must look at their own work — and the importance of knowing when to take others’ opinions.Don’t get hung up on one note. For every ten notes that I get, I may disagree with nine of them, one of them is going to be something I never thought of it. You have to push through the other nine to get to that one that opens the door. Stay open and flexible, and embrace other’s opinions. In the end, you’re not making a movie only for yourself; you’re making it for an audience. Otherwise, you can do that, but you won’t get very far if nobody wants to see it. So Practice, and be open to notes and opinions.— Interview: How the Editor Behind I, Tonya Recreated HistoryPatrick J Don VitoImage via Green Book (Universal).Right before Oscar-nominations were announced, Patrick J. Don Vito detailed what it was like bringing the now Best Picture-winning film to life. He talked in-depth about learning how to let the audience breathe and knowing when to let the scene play out.There’s a scene when Doc Shirley kind of browbeats Lip when he’s playing craps outside the concert, and he says “They have to stay outside. You didn’t wipe your knees off. They have dirt on them,” and then you go into this kind of map sequence, where you crane up and see them driving off, and then they arrive at a hotel, and Tony starts writing a funny letter. That sequence in the middle didn’t exist. It cut right to the moment when he’s writing the letter. There was something about that that always bugged me. It seemed too abrupt. We created that moment in between where you get a chance to breathe and sit with your feelings about what just happened before you have the joke. And what ends up happening is the joke actually hits harder. When it’s put up against the other scene, people are still recovering from him being chastised. So it’s about figuring out the balance of the whole thing. Figuring out when to have a joke to relieve the tension, and when to not. Letting people stew a little bit. Let them feel it.— The Editor of Green Book Offers Insight Into the Art of BalanceStacey SchroederImage via A24.We spoke with the editor of Popstar: Never Stop Never Stopping. Need I say more? The Disaster Artist was easily one of the most complicated films to make in recent memory, but somehow the team pulled it off — and then some. Stacey is slowly becoming one of the most sought-after editors in the business and The Disaster Artist is a testament to her talent for blending genres and managing expert pacing.We, certainly in the edit room, try out a lot of jokes. When I’m receiving dailies, I try to cut my favorite version of most of the jokes that come through — just to have them cut together, and it can give you a different feel. Then I try to pick my favorites and put them in my editor’s cut. The jokes in this one, though, were tough. We took out really funny jokes in moments when we needed people not to laugh — or when it felt just too broad, or too out of character, or out of the scene. There’s so much emotion in this movie, more than the average comedy, we had to be very careful picking the moments. There was a lot of discussion, and things came in and out a lot (clips being cut and brought back in), but you get there.— The Disaster Artist: Editing a Film About Making a FilmErnie GilbertImage via “This Is America.”Ernie Gilbert is regular collaborator with Hiro Murai and Donald Glover. That was enough to stop me dead in my tracks. Ernie’s brilliance as an editor and storyteller are on full display in “This is America.”Initially, I thought I could do a tracker document and try to rate each take with good or bad moment markers, making a count, and then mathematically choosing which to use. But I’ve found that the best way to handle it is to watch all the takes and go with your gut. Generally speaking, there’s one take that feels just right. That being said, sometimes there’s a second or a third that could work, and then there are a few that just won’t. Hiro is incredibly supportive and collaborative as a director. He wants to hear your opinion and get that different perspective. This motivates me to dig in and find the takes that really speak to me. Once I had my selects, I kicked out a rough cut for Hiro’s review, and then we sat down to look over alternative takes and my second and third choices per section.I cut in the latest version of Adobe Premiere Pro CC. I find it to be incredibly fluid for my music video work. I use Premiere’s multi-cams to keep track of different takes and stay on top of all the options throughout the edit. I prep everything in a way that I have access to options quickly, so my directors can see alts for any section at any time. I also knew our VFX artist would be working primarily in After Effects CC, and being able to prep projects for him straight out of Premiere with the truncated schedule would ensure accuracy in the VFX handoff and keep things moving quickly.— The Editor of “This is America” on Building the Iconic VideoAdam SalkyImage via Jeong Park.One of the finest directed movies in recent memory, I Smile Back is a tragic and narrative masterpiece. We sat down with Adam to talk about his approach to editing, shooting indie projects with little time, and working with actors.Most independent films have zero rehearsal because there usually isn’t money to pay the actors to commit the time. Or, the actors are so busy working that they literally only show up the day before the shoot, and/or the film doesn’t have the time or money to make room for it in a very quick prep. TV has even less time because you don’t even meet the actors until you show up on set on the first day!On I Smile Back I was lucky to be in touch with Sarah from the moment I became involved. We met in person and spoke many times over the phone about the character, different scenes, story moments. Then as we got closer to production, we did have two extremely helpful, multi-hour rehearsal sessions where we read through the script with the whole cast and worked on a particularly tough scene the night before we shot it. I love rehearsal. I say use as much as you can get.— Adam Salky on Directing Projects with Powerful EmotionMatt KennedyImage via Black Panther.Look, I’ll get right to the point: this dude shoots BTS and stills for Marvel movies. I mean, come on! How cool is that? We spoke with him about his process and working with studios. (The picture up there under Hannah Beachler’s section at the beginning of this article . . . check out the photo credit.)I would say in the beginning I was very surprised what images the studio would pick. Now, I’m not surprised at all. I’d say 75 percent of what they choose is not an image I would pick first. I feel like so many great images never get to see the light of day. In the end, it is the filmmakers’ and studios’ final say what is released and how it is used. They have their idea of what represents the film, and so do I. The trick is giving them great material to choose from, and as long as they are happy, that is really all that matters in the end. Sometimes we are on the same page about images, and that is always a satisfying outcome.— Set Photographer Matt Kennedy on Shooting for Marvel and MoreDan MoroccoImage via Brooklyn Nine-Nine (Fox).Starting out as an assistant to Alexandre Desplat, Javier Navarette now scores Brooklyn Nine-Nine. This creative genius creates the iconic score with the images right before his eyes. We spoke with him about taking those first steps and how he finds inspiration.What’s great about writing music to picture is that I almost never have a blank page. I almost always have picture to draw inspiration from. I really started writing music by writing to picture, so for me it really is much easier to have the guidelines of where the music needs to stop and start, what it needs to help, and what lines to stay out of the way of, etc. I’m sure for musicians that started by just writing songs it’s a little harder to have all of those boxes to check while you’re just trying to write a cool piece of music, but for me it’s an essential part of the creative process.— Composer Dan Morocco of Brooklyn Nine-NIneBradley OlsenImage via Off the Tracks.Bradley Olsen‘s seemingly niche documentary about Final Cut Pro’s transition to the fateful Final Cut Pro X is much more intricate and accessible than its subject matter suggests. Olsen hopes that a documentary like this might one day help change some minds and open possibilities for future editors.As Apple puts more attention into professional workflow features, such as built-in collaboration, that will enable industry movers and shakers like Michael Cioni and Sam Mestman to push Final Cut Pro X in Hollywood without any more excuses. But behavioral changes are very hard in an industry that’s very much set in its ways. I hope my documentary can be a tool to open some eyes and allow Final Cut to gain more acceptance because post-production in Hollywood is largely stuck in the past, and there is a desperate need for them to change. The rest of the world is quickly embracing new ways of doing things, and I am very interested to see how that shapes the kinds of projects we see in the future.— Filmmaker Bradley Olsen and His FCPX Documentary “Off the Tracks”Patricia ResnickImage via Mad Men (Lionsgate Television).Having worked with Robert Altman and contributed to one of the best shows ever created, Mad Men, Patricia Resnick is a powerhouse writer that has had some truly inspiring and unbelievable experiences. We were lucky enough to speak with her about how the pitch process works for screenplays these days. Be sure to check out the rest of the interview for some of her awesome stories, like dancing with the First Lady.In the ’80s I once sold a very brief pitch. Gave him two lines and sold it on the phone. That doesn’t happen anymore. So now, they want things unbelievably worked out, and as far as TV, they really want all the characters, the first season, where you plan to end up. Visual aids. Look books — to people actually doing trailers for things that have not been shot. Big boards and Power Points — you really have to have things nailed down and worked out.— Screenwriter Patricia Resnick on Altman, Mad Men, and Working on 9 to 5Toby HalbrooksImage via A Ghost Story (via Bret Curry). One of the fastest rising producers in Hollywood and on the Indie film circuit, Toby Halbrooks is one of the most hard-working filmmakers around. Having worked on both micro-budget short films and Disney blockbusters, Halbrooks gave us his take on why keeping your cool and trusting your team is key to being a successful producer.Eventually you learn to trust your teams and stay out of the way. If they need you, you’re there to support the department heads, so you want them to stay on track, but you don’t want to meddle too much. The trick is to have an eye on all aspects of the project to make sure it’s running smoothly. Once the machine is built to go, you let it run.— Producer Toby Halbrooks Shares Indie Film InsightsLooking for more video production insight? Check these out.How to Change the Color of Exterior Lights in After EffectsTutorial: Removing Audio Pops and Recording Audio DifferentlyBuilding a Heavily Diffused $50 DIY LightDaVinci Resolve 15 Video Crash Course — Working with Audio on The Edit PageVideo Tutorial: Which Microphone Should You Use?last_img read more

first_imgThe initial trends in the counting of 32 Sikkim Assembly seats and the lone Lok Sabha seat indicate a close contest where the Opposition Sikkim Krantikari Morcha (SKM) is leading over the Sikkim Democratic Front (SDF), that has remained in power for 25 years.Out of seven Assembly seats for which the trends are out the SKM is leading in four and the SDF in three. In the Lok Sabha seat, Indra Hang Subba of the SKM is leading over the SDF’s D.B. Katwal by a margin of over 6,350 votes. The SKM led by P.S. Goley is taking of SDF’s Pawan Chamling who has the record of being the longest serving Chief Minister of the country. The vote share at the Assembly level also indicate a close contest where the SKM’s vote share of 47.6 % whereas the SDF has secured 47.1 % votes.last_img read more