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first_imgShare Facebook Twitter Google + LinkedIn Pinterest Mostly sunny and pleasant today, as cooler air continues to move into the area. Tomorrow will be dry as well, with sun to start, but clouds increase in the afternoon and evening. Still, it should be a great start to the weekend.A front moves across Ohio for the second half of the weekend. We expect showers for Sunday. Rain totals will end up being from a tenth or two on the low end to around half an inch on the top end. Then overnight Sunday night through Monday, we continue to see rain and perhaps a few thunderstorms, but mostly south of a line from Youngstown to Cincinnati. Any thunderstorm threat comes Sunday night, and will be most prevalent in far south central to southern Ohio. Moisture actually will be done Monday midday in western and northern Ohio, and we should see sun return there faster. However those south and eastern locations can pick up another half to 1 inch.10 day precipitation potential.We are sunny and dry for Tuesday, Wednesday and Thursday. Temps climb a bit, but will generally be normal to slightly above normal. This will be great dry down weather and will promote harvest opportunity, particularly in the areas that are on the low end of the range this weekend on rain. Then, we have a strong system and cold front that moves through next Friday. Rain and thunderstorms bring rain of .25″-.75″ to 100% of the state. Behind the front we turn much colder as we clear out. We can see frost either next Saturday morning or next Sunday morning, depending on which model you believe. IF we can clear quickly on Friday night, we think Saturday morning is the most likely…but if the front is stalled at all in leaving, that will bring the coldest morning in on Sunday. Lows for this air mass change will be down in the 31-37 degree range, so we are looking at a frost only, not a hard freeze. The timing of this (October 12th or 13th) really not all that big of a story…this is about average for the first frost in our area.High pressure is in for Saturday and Sunday (with a nearby full moon too, everything seeming to align for a frost) as we finish the the 10 day period, and then stays in control for Monday and Tuesday (14th-15th) to kick off the 11-16 day period. Scattered showers are back over the northern half of the state for Wednesday the 16th, triggering a few hundredths to a tenth or two from I-70 north. Then better organized rain hits 80% of the state for Thursday the 17th, but still yields only a quarter inch or less. Dry to finish the extended window Friday and Saturday (19th-20th), but there is a large storm complex lurking out west that looks like it may want to push in shortly thereafter.last_img read more

first_imgFeaturesReceive messages from the people you followComment on messages and mark them as likedBrowse all links and images attached to messagesManage your followersBrowse the people following youFind new people to followCheck the places around you and buzz about themPosting to BuzzPosting to Buzz from Buzzie is as easy as hitting the compose button, choosing if you want to attach your location to the post and hitting “send.” You can use the app to send both private and public messages.One feature that is missing here, however, is the ability to attach photos and links. Sadly, you can’t set any defaults for the editor, which means that – by default – it always wants to attach your location, for example. Photos and LinksThe app handles posts with photos beautifully. You just tap on the photos and they appear in full-screen mode. Photo sharing is one of Buzz’s best features and this app rightfully puts a lot of emphasis on making the photo browsing experience as seamless as possible. The way the app handles links takes some getting used to, though.Instead of just tapping on the link, you have to push the little paperclip icon at the bottom of the screen. That’s not a deal breaker, but it will surely confuse some people.VerdictGoogle is betting on HTML5 and web apps to deliver its products without having to go through the App Store approval process. Buzzie, however, shows that there are still some clear advantages to developing a native app. The app just feels a lot snappier than Google’s web app for Buzz and even though it doesn’t offer any new features, it makes using Buzz on the iPhone a lot more fun. A few features – like attaching photos to your posts or browsing the map for messages – are still missing, though chances are that the developers will add these in one of the next revisions. Hat tip to The Next Web for spotting the app first. Tags:#Google#mobile#Product Reviews#web Role of Mobile App Analytics In-App Engagement frederic lardinois Related Posts What it Takes to Build a Highly Secure FinTech … Why IoT Apps are Eating Device Interfaces It looks like Google has decided against releasing new iPhone apps for the time being and has focused most of its mobile development efforts on web apps instead. While the Buzz web app is very good, however, it can’t quite rival the speed and comfort of using a native iPhone app. Fiam‘s Buzzie is the first Buzz app for the iPhone ($1.99 – iTunes link) and even though it is still missing some features, it already gives us a good idea for what developers can achieve by using the Buzz API. The Rise and Rise of Mobile Payment Technologylast_img read more

first_imgFrom Oscar-winning editors and production designers to producers and screenwriters — here are some of the biggest takeaways from our recent interviews.Over the past year, here at PremiumBeat we’ve been lucky enough to speak with some industry-leading creatives and filmmakers. At one point, these rock stars were right where you are now, whether that’s just starting out or creating your next feature. Whatever your filmmaking goals may be, these masters of the craft have given us some truly excellent advice.Here are some of our favorite quotes from our recent interviews.The Masterful Editing of First ManImage via Universal.Probably one of the best working editors alive, Tom Cross broke down how he tackled the enormous task of cutting First Man. Our talk was long but full of gems for anybody thinking about editing a film.That clarity really made us edit the sequence differently than other scenes in the movie. Instead of it being cutty, messy, and rough, the richness of the image invited us to slow the pace down, allowing us to linger on shots so that you could really look at these tiny little details like the richness of the soil and the stitches in the gloves. This shift invites you to stay and hold onto shots longer. It also allowed us to double down on this subjective style that we had set up in other scenes, so it let us linger on these POV shots of the hands going to the ladder, so you really feel like you are in his spacesuit climbing down the ladder, and its you the audience taking the first step on the moon. So the IMAX led us to a different take and rhythm but Damien really wanted the moon sequence to feel like another world.— Tom Cross, ACE on Editing First Man and Working with IMAX FootageBlack Panther’s Oscar-Winning Production DesignMarvel Studios’ BLACK PANTHER Filmmakers BTS on set of Black Panther (Ph: Matt Kennedy ©Marvel Studios 2018).Hannah Beachler is now an Oscar winner. Her work on Black Panther was one of the biggest reasons the film was so darn captivating. Wakanda looked and felt like a place rooted simultaneously in history and fantasy. When asked about the decision and freedom to incorporate vibrant colors in a Marvel film — due in part to the success of Guardians and Thor: Ragnarok — Beachler had the following to say.So the textiles are colorful, the buildings are colorful, everything is colorful. So I knew that was gonna be a part of it. Then looking at the [Jack] Kirby stuff, there was a lot of color in this Thor work, and even in the Black Panther comics at the time.We were gonna put all of that out there, you know, bring in the rich architecture. A lot of the architecture has designs, shapes, and colors that all have meaning. Senegalese buildings that have big, bold pinks, purples, and greens — and others with stripes that come down the columns.We went crazy with it, and there was a color story. There is definitely a color story, and as I watched it in the premiere, I was like, ‘Yeah you can definitely feel that color story with the characters.’— Exclusive: Designing Wakanda and the Amazing Sets of Black PantherTatiana S RiegelImage via NEON.The Oscar-nominated editor behind I, Tonya dove into why and how an editor must look at their own work — and the importance of knowing when to take others’ opinions.Don’t get hung up on one note. For every ten notes that I get, I may disagree with nine of them, one of them is going to be something I never thought of it. You have to push through the other nine to get to that one that opens the door. Stay open and flexible, and embrace other’s opinions. In the end, you’re not making a movie only for yourself; you’re making it for an audience. Otherwise, you can do that, but you won’t get very far if nobody wants to see it. So Practice, and be open to notes and opinions.— Interview: How the Editor Behind I, Tonya Recreated HistoryPatrick J Don VitoImage via Green Book (Universal).Right before Oscar-nominations were announced, Patrick J. Don Vito detailed what it was like bringing the now Best Picture-winning film to life. He talked in-depth about learning how to let the audience breathe and knowing when to let the scene play out.There’s a scene when Doc Shirley kind of browbeats Lip when he’s playing craps outside the concert, and he says “They have to stay outside. You didn’t wipe your knees off. They have dirt on them,” and then you go into this kind of map sequence, where you crane up and see them driving off, and then they arrive at a hotel, and Tony starts writing a funny letter. That sequence in the middle didn’t exist. It cut right to the moment when he’s writing the letter. There was something about that that always bugged me. It seemed too abrupt. We created that moment in between where you get a chance to breathe and sit with your feelings about what just happened before you have the joke. And what ends up happening is the joke actually hits harder. When it’s put up against the other scene, people are still recovering from him being chastised. So it’s about figuring out the balance of the whole thing. Figuring out when to have a joke to relieve the tension, and when to not. Letting people stew a little bit. Let them feel it.— The Editor of Green Book Offers Insight Into the Art of BalanceStacey SchroederImage via A24.We spoke with the editor of Popstar: Never Stop Never Stopping. Need I say more? The Disaster Artist was easily one of the most complicated films to make in recent memory, but somehow the team pulled it off — and then some. Stacey is slowly becoming one of the most sought-after editors in the business and The Disaster Artist is a testament to her talent for blending genres and managing expert pacing.We, certainly in the edit room, try out a lot of jokes. When I’m receiving dailies, I try to cut my favorite version of most of the jokes that come through — just to have them cut together, and it can give you a different feel. Then I try to pick my favorites and put them in my editor’s cut. The jokes in this one, though, were tough. We took out really funny jokes in moments when we needed people not to laugh — or when it felt just too broad, or too out of character, or out of the scene. There’s so much emotion in this movie, more than the average comedy, we had to be very careful picking the moments. There was a lot of discussion, and things came in and out a lot (clips being cut and brought back in), but you get there.— The Disaster Artist: Editing a Film About Making a FilmErnie GilbertImage via “This Is America.”Ernie Gilbert is regular collaborator with Hiro Murai and Donald Glover. That was enough to stop me dead in my tracks. Ernie’s brilliance as an editor and storyteller are on full display in “This is America.”Initially, I thought I could do a tracker document and try to rate each take with good or bad moment markers, making a count, and then mathematically choosing which to use. But I’ve found that the best way to handle it is to watch all the takes and go with your gut. Generally speaking, there’s one take that feels just right. That being said, sometimes there’s a second or a third that could work, and then there are a few that just won’t. Hiro is incredibly supportive and collaborative as a director. He wants to hear your opinion and get that different perspective. This motivates me to dig in and find the takes that really speak to me. Once I had my selects, I kicked out a rough cut for Hiro’s review, and then we sat down to look over alternative takes and my second and third choices per section.I cut in the latest version of Adobe Premiere Pro CC. I find it to be incredibly fluid for my music video work. I use Premiere’s multi-cams to keep track of different takes and stay on top of all the options throughout the edit. I prep everything in a way that I have access to options quickly, so my directors can see alts for any section at any time. I also knew our VFX artist would be working primarily in After Effects CC, and being able to prep projects for him straight out of Premiere with the truncated schedule would ensure accuracy in the VFX handoff and keep things moving quickly.— The Editor of “This is America” on Building the Iconic VideoAdam SalkyImage via Jeong Park.One of the finest directed movies in recent memory, I Smile Back is a tragic and narrative masterpiece. We sat down with Adam to talk about his approach to editing, shooting indie projects with little time, and working with actors.Most independent films have zero rehearsal because there usually isn’t money to pay the actors to commit the time. Or, the actors are so busy working that they literally only show up the day before the shoot, and/or the film doesn’t have the time or money to make room for it in a very quick prep. TV has even less time because you don’t even meet the actors until you show up on set on the first day!On I Smile Back I was lucky to be in touch with Sarah from the moment I became involved. We met in person and spoke many times over the phone about the character, different scenes, story moments. Then as we got closer to production, we did have two extremely helpful, multi-hour rehearsal sessions where we read through the script with the whole cast and worked on a particularly tough scene the night before we shot it. I love rehearsal. I say use as much as you can get.— Adam Salky on Directing Projects with Powerful EmotionMatt KennedyImage via Black Panther.Look, I’ll get right to the point: this dude shoots BTS and stills for Marvel movies. I mean, come on! How cool is that? We spoke with him about his process and working with studios. (The picture up there under Hannah Beachler’s section at the beginning of this article . . . check out the photo credit.)I would say in the beginning I was very surprised what images the studio would pick. Now, I’m not surprised at all. I’d say 75 percent of what they choose is not an image I would pick first. I feel like so many great images never get to see the light of day. In the end, it is the filmmakers’ and studios’ final say what is released and how it is used. They have their idea of what represents the film, and so do I. The trick is giving them great material to choose from, and as long as they are happy, that is really all that matters in the end. Sometimes we are on the same page about images, and that is always a satisfying outcome.— Set Photographer Matt Kennedy on Shooting for Marvel and MoreDan MoroccoImage via Brooklyn Nine-Nine (Fox).Starting out as an assistant to Alexandre Desplat, Javier Navarette now scores Brooklyn Nine-Nine. This creative genius creates the iconic score with the images right before his eyes. We spoke with him about taking those first steps and how he finds inspiration.What’s great about writing music to picture is that I almost never have a blank page. I almost always have picture to draw inspiration from. I really started writing music by writing to picture, so for me it really is much easier to have the guidelines of where the music needs to stop and start, what it needs to help, and what lines to stay out of the way of, etc. I’m sure for musicians that started by just writing songs it’s a little harder to have all of those boxes to check while you’re just trying to write a cool piece of music, but for me it’s an essential part of the creative process.— Composer Dan Morocco of Brooklyn Nine-NIneBradley OlsenImage via Off the Tracks.Bradley Olsen‘s seemingly niche documentary about Final Cut Pro’s transition to the fateful Final Cut Pro X is much more intricate and accessible than its subject matter suggests. Olsen hopes that a documentary like this might one day help change some minds and open possibilities for future editors.As Apple puts more attention into professional workflow features, such as built-in collaboration, that will enable industry movers and shakers like Michael Cioni and Sam Mestman to push Final Cut Pro X in Hollywood without any more excuses. But behavioral changes are very hard in an industry that’s very much set in its ways. I hope my documentary can be a tool to open some eyes and allow Final Cut to gain more acceptance because post-production in Hollywood is largely stuck in the past, and there is a desperate need for them to change. The rest of the world is quickly embracing new ways of doing things, and I am very interested to see how that shapes the kinds of projects we see in the future.— Filmmaker Bradley Olsen and His FCPX Documentary “Off the Tracks”Patricia ResnickImage via Mad Men (Lionsgate Television).Having worked with Robert Altman and contributed to one of the best shows ever created, Mad Men, Patricia Resnick is a powerhouse writer that has had some truly inspiring and unbelievable experiences. We were lucky enough to speak with her about how the pitch process works for screenplays these days. Be sure to check out the rest of the interview for some of her awesome stories, like dancing with the First Lady.In the ’80s I once sold a very brief pitch. Gave him two lines and sold it on the phone. That doesn’t happen anymore. So now, they want things unbelievably worked out, and as far as TV, they really want all the characters, the first season, where you plan to end up. Visual aids. Look books — to people actually doing trailers for things that have not been shot. Big boards and Power Points — you really have to have things nailed down and worked out.— Screenwriter Patricia Resnick on Altman, Mad Men, and Working on 9 to 5Toby HalbrooksImage via A Ghost Story (via Bret Curry). One of the fastest rising producers in Hollywood and on the Indie film circuit, Toby Halbrooks is one of the most hard-working filmmakers around. Having worked on both micro-budget short films and Disney blockbusters, Halbrooks gave us his take on why keeping your cool and trusting your team is key to being a successful producer.Eventually you learn to trust your teams and stay out of the way. If they need you, you’re there to support the department heads, so you want them to stay on track, but you don’t want to meddle too much. The trick is to have an eye on all aspects of the project to make sure it’s running smoothly. Once the machine is built to go, you let it run.— Producer Toby Halbrooks Shares Indie Film InsightsLooking for more video production insight? Check these out.How to Change the Color of Exterior Lights in After EffectsTutorial: Removing Audio Pops and Recording Audio DifferentlyBuilding a Heavily Diffused $50 DIY LightDaVinci Resolve 15 Video Crash Course — Working with Audio on The Edit PageVideo Tutorial: Which Microphone Should You Use?last_img read more

first_imgThe cyclonic storm ‘Bulbul’ over east-central Bay of Bengal may skip Odisha coast, but the State government has taken no chance and kept its coastal districts in readiness for the storm which is likely bring heavy rainfall.Three districts, Jagatsinghpur, Balasore and Puri, announced closure of schools on Friday and schools would remain close in nine districts on Saturday.“We have sent two units of Odisha Disaster Rapid Action Force each to nine districts and units of National Disaster Response Force have moved to six coastal districts,” said P. K. Jena, Special Relief Commissioner on Thursday.“The cyclonic storm ‘Bulbul’ over the east-central Bay of Bengal moved northwestwards with a speed of 21 kmph during past six hours and lay centred about 560 km south-southeast of Paradip (Odisha), 680 km south-southeast of Sagar Islands (West Bengal) and 740 km south-southwest of Khepupara (Bangladesh),” says IMD bulletin.‘Maha’ spares GujaratIn a major relief to the people of Gujarat, cyclone ‘Maha’ fizzled out into the Arabian sea as a ‘depression’ without making a landfall, the IMD said on Thursday, adding that the cyclone is likely to weaken into a well-marked low pressure area off the south Gujarat coast during next 12 hours,” it said.last_img read more

first_imgTrending Articles PLAY LIST 00:50Trending Articles00:50Trending Articles02:11’Not just basketball’: Circumcisions, pageants at Philippine courts01:37Protesters burn down Iran consulate in Najaf01:47Panelo casts doubts on Robredo’s drug war ‘discoveries’01:29Police teams find crossbows, bows in HK university01:35Panelo suggests discounted SEA Games tickets for students02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games Kammuri turning to super typhoon less likely but possible — Pagasa Kris Aquino ‘pretty chill about becoming irrelevant’ Lastly, Irving, the dazzling Boston Celtics guard, can be found over at the YCL Covered Court in Quezon City. Brace for potentially devastating typhoon approaching PH – NDRRMC Love game: Serena Williams reportedly marries in New Orleans Japan ex-PM Nakasone who boosted ties with US dies at 101 LATEST STORIES The Hyper Court app, which is powered by Google, features exclusive basketball content without the use of data. Through the app, Filipino hoopers instantly get their hands on videos of training routines.Nike on Friday also officially unveiled the five new-look basketball courts where players can get free content via Hyper Court.FEATURED STORIESSPORTSWATCH: Drones light up sky in final leg of SEA Games torch runSPORTSSEA Games: Philippines picks up 1st win in men’s water poloSPORTSMalditas save PH from shutoutREAD: LOOK: LeBron shouts out PH fans for sprawling mural in TaguigEach court features image of basketball superstars LeBron James, Kobe Bryant, Kevin Durant, Russell Westbrook and Kyrie Irving in stunning color. QC cops nab robbery gang leader, cohort Stronger peso trims PH debt value to P7.9 trillion MOST READ Don’t miss out on the latest news and information. CPP denies ‘Ka Diego’ arrest caused ‘mass panic’ among S. Tagalog NPA Typhoon Kammuri accelerates, gains strength en route to PH Arturo Torres, a Dallas-based illustrator, created the artworks that can be found across four cities in Metro Manila.The Titan Love Court in Bonifacio Global City in Taguig now shows a mural of James doing his signature dunk.DCIM100MEDIADJI_0105.JPGAt the nearby Ususan  Court also in Taguig is where Torres’ masterpiece of Bryant is laid out.In Makati at Comembo Covered Court lies an artwork of Durant while the design featuring his former teammate and reigning NBA MVP Westbrook brings the Scarlet Homes Covered Court in Parañaque to life. ADVERTISEMENT Read Next Ballers in Metro Manila can now easily access training drills to to raise their game to new heights with the Hyper court, a virtual basketball training tool.ADVERTISEMENT View commentslast_img read more

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4Q49.348.846.4 2Q49.855.256.3 Is the Beard at risk of burning out?James Harden’s effective field goal percentage by quarter James Harden’s style of offense isn’t everyone’s cup of tea. Some fans feel like his trademark stepback move is a travel the vast majority of the time he does it. Some knock his tendency to draw fouls, sometimes fooling referees into giving him free throws when he barrels toward the rim.But whatever you feel about the reigning league MVP, he’s putting together a solid case this season to win the award for a second time. Harden has compiled video-game numbers lately, averaging 42 points, 8.4 rebounds and 9.7 assists since the calendar flipped to 2019. And his Houston club — which struggled badly out of the gate and has watched just about every one of Harden’s teammates fall victim to the injury bug — is now 14-4 over its last 18 games.But Harden’s incredible play raises an important question: Can the 29-year-old realistically keep up what has been a near-historic one-man show without burning out during the NBA playoffs?That dilemma is a ways off, though. For the time being, the Rockets have to be thrilled with the production they’ve gotten from Harden, who scored 57 points in Monday’s win over Memphis. He has notched 30 points or more in 17 straight games, the longest streak since the merger in 1976.The Rockets star has long been a statistical outlier, but this season has brought some eye-popping metrics, even when judged against Harden’s lofty standards. He leads the league in points per game and is scoring 5 more on average than the No. 2 scorer, Steph Curry. And he drives to the basket an NBA-high 20 times per game. The Beard averages a league-high 37 minutes per night1Tied with Washington’s Bradley Beal. and has launched 512 3-pointers, almost 13 per game — the most in the NBA.But Harden’s craziest offensive number, and perhaps the one that’s most concerning, is his 691 direct isolation plays (a 1-on-1 play that ends with a shot, turnover or foul).2Specifically, 1-on-1 plays where the ball-handler shoots, gets fouled, turns the ball over or makes a pass that produces a shot attempt within one dribble of the catch. That’s more than any other NBA team has had so far this season. Once more for emphasis: According to stat-tracking database Second Spectrum, Harden all by himself has gone 1-on-1 more than any team’s full roster, combined, has.Maybe it shouldn’t be surprising that Mike D’Antoni and the Rockets have resorted to having Harden isolate more, with both Chris Paul and Eric Gordon out of the lineup, but all that 1-on-1 play can be super draining. And that could be one reason that Harden’s shooting percentages have been falling considerably during games. (In particular, in fourth quarters, he’s shooting just 47.4 percent3Down from 62.7 percent in the first, 57.1 percent in the second and 56.5 percent in the third. from the restricted area — perhaps a sign that he’s fatigued and not getting enough lift to finish shots over taller players.)During the 2016-17 campaign, Harden dominated much like he has this season before ultimately burning out and having one of the most lifeless series-ending showings ever for a star player. In fact, the lefty has seen quarter-by-quarter declines in his efficiency numbers each of the past three seasons. 3Q54.753.455.1 quarter2016-172017-182018-19 1Q54.1%57.7%56.9% Sources: NBA, NBA Advanced Stats Although it might seem too early to start talking about burnout, it’s worth noting that Harden’s degree of single-handed dominance is approaching 2016-17 Russell Westbrook levels. Harden has a current usage rate of 39.9 percent, down slightly from the NBA-record 41.7 percent mark that Westbrook posted after Kevin Durant left Oklahoma City to join the Warriors.The problem is that players who log usage rates that high in the regular season generally don’t enjoy much playoff success. In fact, no player who had a regular-season usage rate of 35 percent or higher has ever won an NBA championship in that season. And of the players with the seven highest single-season usage rates, none made it out of the first round of the postseason in those years.4Not counting Harden. DeMarcus Cousins failed to reach the postseason in 2016-17, and Westbrook failed to get there in 2014-15.Even if the Rockets did want to limit Harden’s usage before the playoffs, Houston is running out of other players to use — at least at the moment. The team lost yet another weapon on Sunday, when Clint Capela damaged his right thumb ligament. He’ll now miss 4 to 6 weeks.Capela’s absence, on top of Paul’s, is a huge blow. The Harden-Paul-Capela trio was essentially unbeatable last season, and the Rockets went 42-3 in the regular season when that lineup took the court. Without those two or Gordon, Harden has no choice but to go out with guns blazing. In the three games this season in which Harden scored fewer than 20 points, the Rockets lost by a whopping 18, 19 and 27 points.D’Antoni’s teams have long been top-heavy, and that flaw has reared its ugly head come playoff time. But now, the thin nature of the Rockets’ roster is showing itself in January, and it’s putting even more strain on an MVP who’s already carrying a historic amount of weight on his back.Check out our latest NBA predictions. read more

A late surge was not enough for the No. 8 Ohio State men’s lacrosse team against Notre Dame Wednesday. The team lost for the second time this season, 9-4, against the No. 3-ranked Fighting Irish in South Bend, Ind. After an early first period goal from sophomore attacker Reegan Comeault that tied the game, 1-1, the Buckeyes failed to find the back of the net again until the beginning of the fourth quarter. In the meantime, the Notre Dame scored five goals of its own to take a 6-1 lead into the fourth quarter. Despite an OSU comeback that saw three goals within six minutes, the Buckeyes could not dig themselves out of their hole, as the Fighting Irish scored a goal after each of OSU’s to end the game, 9-4. OSU was outshot by Notre Dame 42-27 on the day, an opponent season high. The Buckeyes’ four goals against the Fighting Irish marked a season low for the typically high-scoring offense. Before Wednesday, OSU hadn’t scored less than seven goals in a game since March 3, 2012, against Penn State, when the Buckeyes lost, 5-2. Senior attacker Logan Schuss added to his point streak of 52 games with an assist to sophomore midfielder Jesse King with five minutes remaining in the game. The road loss comes after OSU upset then-No. 9 Virginia, 11-10, on Saturday in Charlottesville, Va. Junior midfielder Michael Italiano was named Eastern College Athletic Conference specialist of the week on Monday for his performance against the Cavaliers with eight ground balls. Italiano had five more against the Irish Wednesday. OSU split its string of four games against top-10 teams, 2-2, bringing the team’s overall record to 5-2. The Buckeyes are set to play against Bellarmine on Saturday at 7 p.m. in Louisville, Ky., before they return home to host the defending national champion, No. 6 Loyola Maryland, a week later. read more

OSU cheerleaders lead OSU football players out of the field at Ohio Stadium prior to the annual Spring Game on April 18. Team Gray defeated Team Scarlet, 17-14. Credit: Muyao Shen / Lantern photographer With an unprecedented crowd on hand, the 2015 Ohio State football team got its first taste of live action.In front of an announced national Spring Game record crowd of 99,391, the Buckeyes held their annual intrasquad Spring Game at Ohio Stadium. The matchup — played between the Scarlet and Gray teams — was a back-and-forth affair, with Gray holding on for a 17-14 win.“Unbelievable,” senior defensive lineman Tommy Schutt said about the record crowd. “Obviously, we were expecting a really big crowd, but 100,000 is just, wow, Buckeye nation’s unbelievable, and having that many at the Spring Game is unbelievable.”Each of the two starting quarterbacks — redshirt-junior Cardale Jones of the Gray team and redshirt-freshman Stephen Collier of the Scarlet side — labored through the first half, which saw Gray hold a 10-7 lead.Jones went into the break completing 15 of 33 passes for 224 yards. Of those, 108 were pulled in by redshirt-senior wide receiver Corey Smith, who also scored Scarlet’s only first-half touchdown on a 58-yard reception.Collier, on the other hand, could not find any rhythm until the end of the half, when he found redshirt-freshman wide receiver Terry McLaurin for a 35-yard score with no time left on the clock.Collier, a product of Leesburg, Ga., ended the half just 7-of-19 for 81 yards. He was also responsible for four first-half turnovers, including a trio of interceptions and a lost fumble.Scarlet made a comeback in the third quarter, scoring its second unanswered touchdown to take a 14-10 lead after three periods.Collier led a 14-play, 55-yard drive that ended with a three-yard pass to redshirt-freshman wide receiver Parris Campbell as the quarter expired.However, Jones, last season’s national championship-winning quarterback, engineered a 55-yard, 50-second drive to put Gray back in front.Gray got the ball after a Scarlet turnover on downs, and needed just two passes to Smith — the latter of which was a 37-yard touchdown — to put his side up three.Smith finished the game with six receptions for 174 yards and each of Gray’s two touchdowns.Offensive coordinator and offensive line coach Ed Warinner said he believes Smith has the potential to play at that level on a regular basis, but he has work to do.“Consistency is his issue. He has some talent, and he shows it. Today he showed his talent. His deal, to be someone we talk about consistently, is to be consistent,” Warinner said. “When he does show up and looks locked in, he’s really good.”Collier had one final opportunity to go back in front, but a 25-yard pass to the end zone intended for redshirt-senior wide receiver Jeff Greene missed the mark as time expired, sealing the Gray victory.OSU coach Urban Meyer said while he sees several individual players who have taken steps forward since last season, the team still has a long way to go.“We did not improve as a team,” Meyer said. “That was not a good team out there.“That’s going to be interesting to watch for the Buckeyes this summer and how they handle themselves, how they behave, how they train and how they come together as a team, because that team has got to be better by the time (strength and conditioning) coach (Mickey Marotti) hands me the team like he does every summer.”Jones attempted 42 passes on the afternoon, completing 19 of them for 304 yards. He also threw two interceptions in the contest.Jones said the in-game experience did not feel like much, but he got a lot out of making his first-ever start at Ohio Stadium.“I felt like another practice, because that’s what we did almost every day in practice, as far as spring ball,” Jones said. “So, I mean, I think it was pretty much the atmosphere (that was the most important experience).”The Buckeyes are scheduled to open the 2015 regular season on the road against Virginia Tech in Blacksburg, Va. read more